Jesus turin8/8/2023 A more interesting investigation of the shroud would be to track its historical appearances, through the years. Even if the relics are from the right era, how do we know they don't belong to Jo Schmo?. Since they match clues on the shroud, we are led to conclude the "Shroud of Turin" is real. Christ's final days are depicted as factual. Most of this episode's time is spent contrasting the shroud with events depicted in the Christian Bible. Also, the events of Christ's life from the New Testament are treated as fact. This widely known report could not have been left out of the story and, it is dismissed before the hour's end. A clip of NBC newsreader Tom Brokaw announcing the shroud's "carbon testing" proved it could not have existed during Jesus Christ's time is shown. The music, by Tom Howe, is hauntingly Biblical. On balance, the authenticity of the shroud is safe and sound on CNN. The title "Finding Jesus: Faith, Fact, Forgery" may suggest an informed investigation of the "Shroud of Turin". Another garment is discussed toward the end of the hour, a scarf used to wrap Jesus Christ's head. The unusual photographic "image" caught on the shroud is said to be evidence of Christ's resurrection. Many Christians believe this cloth wrapped the crucified body of Jesus Christ. In other words, the Shroud of Turin is just one more remarkable pointer to the mystery of Christ.The first episode of this CNN documentary mini-series focuses on the "Shroud of Turin". On his reading of the available evidence, the Shroud, which has many mysterious properties of its own, once enclosed a far deeper mystery. Once again I recommend his book, A Catholic Scientist Champions the Shroud of Turin. Verschuuren himself came away from his study with an intense conviction that the Shroud of Turin really is the burial cloth of Jesus Christ. Science cannot explain how this could be accomplished without the participation of a human father but, for the Christian, the Y chromosome adds nothing new to the mystery of the Incarnation. But of course we already knew that Christ was, in his human nature, a completely human male. This raises the question, of course, of where the Y chromosome came from, since in nature it comes from the human father. DNA analysis: The DNA in the blood on the Shroud reveals that the person wrapped in it was a man with a Y chromosome.Moreover, there are no paint pigments of any kind on the Shroud-eliminating the possibility that the Shroud is some sort of supremely clever artistic forgery. Blood analysis: Chemical and biological testing proves that there are blood stains on the Shroud, of blood type AB and antigen group MNS. Thus this conclusion has been discredited, but more work has yet to be done, and opportunities for testing are rare. But a review of that experiment revealed both questionable assumptions and unreliable testing, especially since the small piece of material tested was taken from a strip of cloth that is now known to have been added to the original unseamed shroud itself. Carbon analysis: In 1988 a group of scientists used carbon dating to determine that the Shroud could not be dated earlier than 1260, suggesting that it was a medieval forgery.Pollen analysis: This form of analysis has been unable to prove conclusively-or disprove-that the Shroud was in Judea at one time.And the cloth has been otherwise dated to between 300 BC and 300 AD. The stitching is identical to an artifact found at Masada in Israel, dated between 40 BC and AD 73. The flax fibers are traceable to the Eastern Mediterranean or the Middle East. Textile analysis: Here we learn that the Shroud is woven flax, made by a professional-quality weaver, which was likely only to have been owned by a wealthy man ( e.g., Joseph of Arimathea).Anatomical analysis: The Shroud bears the image of a grown male, five feet eleven inches tall, with shoulder length hair and a beard-a man who had suffered crucifixion in the Roman fashion.It turns out, for example, that the Shroud is most effectively viewed and studied as a negative image of the body, using high-definition computer-aided photography and aerospace technologies for developing 3D images.
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